Alienation is neither a reflex to modern crowds and computers nor is it a disease for which the future will supply a vaccine. Every act of creation involves a degree of otherness, and the right of the person to alienate himself from himself and from society – as in the institution of the Nazarite in the Old Testament or in the name-changing rituals of the Greek cults – is the most exalted and indispensable of privileges.

Harold Rosenberg 1972, Act and the Actor: Making the Self, World Publishing, N.Y., p. 204.


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I have always been fascinated by rabbits, with their connotations of fecundity and willing sacrifice, plus their role in playful trickster myths. In my work they often present a potent tension through their connections with and contrary positions to Christian iconography.
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Rabbits have a unique place in Australian history and culture. For example, the Akubra hat is made from rabbit pelts and the masculine notions harboured in the traditional battler’s hat have led me to speculate whether men keep their ability to nurture – their breasts – under their hats.
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Like the rabbit, I am a European immigrant seeking to make my way in a new home. My presence in my work reflects my journey to better understand the responsibilities of being human.